Starting with a poetic look - the impression of a full moon with wisps of cloud moving across its face - as the lunar cycle progresses, so the building also alters in character.
Client Public Works Department | Interior Architects Spatium Architects |
Executive Architects Halcrow Group | Photographer Allan Toft/ Lars Kirstein |
Project Team Jonathan Speirs, Keith Bradshaw, Carrie Donahue Bremner, Iain Ruxton, Philip Rose | |
Starting with a poetic look - the impression of a full moon with wisps of cloud moving across its face - as the lunar cycle progresses, so the building also alters in character.
It is bathed in cool white light at the full moon, shifting colour every two evenings, growing gradually bluer as the moon wanes.
On the fourteenth evening the mosque is lit in deepest blue to signify darkness - and yet the viewer is never able to perceive the building changing from one colour to the next.
Elegant, covered passageways, rich in details and able to provide sufficient light levels to pray and read.
Welcoming, comfortable and able to host both informal and formal gatherings, the main prayer room is lit with an apparent effortlessness using concealed light. Light levels can be set to suit small teaching groups and for large televised, religious events.
Luminous vertical surfaces
Intricate backlit floor mosaics
Intricate backlit wall mosaics
IALD JUDGING PANEL, RADIANCE AWARD 2010